![]() A while back, he upset some American music scholars by documenting instances in which Charles Ives apparently postdated and otherwise altered his scores to make them seem more prophetic of modern music's directions. One of the genre's leading practitioners is Maynard Solomon, the scholar who solved, to the satisfaction of many musicologists, the enigma of ''Beethoven's Beloved'' and subsequently published an authoritative biography of that composer. Now, however, psychobiography has its foot in the door and is demanding entry. The story of his supposed infatuations with several women is taken at face value, despite evidence that his only intimate friends were male. Yet Charles Osborne's ''Schubert and His Vienna,'' published only three years ago by Knopf, all but ignores the sex issue and even spends a good deal of space dismissing as nasty fictions contemporary accounts of Schubert's heavy drinking. But no longer does it seem reasonable that a newish biography of Schubert should tiptoe around the probability that the composer was an enthusiastic homosexual or that his sexuality could have had something to do with his feverishly prolific output, his drastic swings of mood and his tragic death of syphilis at age 31. When this attitude began to change is not clear - perhaps it might be dated symbolically from Mahler's one-session analysis by Freud. The chronological details and broad outlines of a composer's life were laid out, insofar as they could be determined, but snooping around in the psyche was outside the scholarly pale. Such also is the comfortable position that most musical biographers were able to take not long ago. Stravinsky expressed that Platonic ideal well when he said, ''I am the vessel through which 'Le Sacre' passed.'' Art is an insoluble enigma, an unsolicited gift of the gods mysteriously funneled through its nominal author. Forster (in his essay ''Anonymity'') and implicitly by art-for-art's-sake estheticians like Walter Pater and Oscar Wilde. That is the view espoused brilliantly by E. Genuine art seeks to shed itself of its creator, ideally in time achieving anonymity of the sort enjoyed by the authors of the ''Iliad'' or the Egyptian ''Book of the Dead.'' If it were to be discovered tomorrow that Rossini liked to tie up cats and pull out their whiskers one by one, would the reputation of ''The Barber of Seville'' be much affected? No. Who cares if Wagner was a deadbeat, that Mozart used foul language, that Beethoven tried to sell scores to different publishers simultaneously, that Chopin loved a woman who dressed like a man and smoked cigars? The music they left us is all that counts. We're changing presently.Many people who love music feel it is not only vulgar but pointless to pry into the lives of the great composers. The most supply of cash for Franz Schubert is Music Department, Composer, Soundtrack Currently, we have a tendency to don't have enough knowledge relating to vehicles, fortnightly / yearly wage, and so on. Franz Schubert is located in the Austria. ![]() He earned the cash being a professional Music Department, Composer, Soundtrack. Following Wikipedia, IMDb, Forbes on-line resources, acknowledge Music Department, Composer, Soundtrack Franz Schubert's net worth is $10 million. ![]() We shared the updated 2022 net worth details of Music Department, Composer, Soundtrack such as monthly, salary, cars, yearly income, property below. Music Department, Composer, Soundtrack Income source The major and primary source of her income is Music Department, Composer, Soundtrack. Franz Schubert is a famous and well-known Music Department, Composer, Soundtrack from the Austria. How Rich is Franz Schubert in 2022? Franz Schubert Net Worth: $10 million. ![]() Franz Schubert Estimated Net Worth $10 millionįranz Schubert Income, Cars, Salary, Lifestyles, & many more details info had been updated in Our Site.
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